麻豆传媒

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Automobiles, Heavy Metal, Hip Hop, Media, Popular Culture, Popular Music, Punk, rap, Rock And Roll, Travel and Tourism, Visual Arts

Dr. Matthew Donahue is a senior lecturer in the Department of Popular Culture at Bowling Green State University, specializing in topics related to popular culture, popular music (rock and roll, punk, heavy metal, reggae, rap/hip-hop, blues, popular music styles from the 1950s to the present), documentary and narrative film, media, visual arts (modern art and popular culture, street photography, art cars), politics and popular culture, travel and tourism and other related topics. He has lectured on such topics regionally, nationally and internationally and has served as an authority on popular culture topics for national and international publications. He is a member of the state of Ohio鈥檚 Ohio Humanities Speakers Bureau, lecturing on topics related popular culture throughout the state of Ohio. Prior to serving as a senior lecturer for the Department of Popular Culture, he served as a supervisor for the Bill Schurk Sound Recordings Archive at Bowling Green State University, working on sound recording reissue projects for Time-Life and Smithsonian.

In addition to his academic work, he is also a musician, artist, filmmaker and writer. As a musician, he has released sound recordings internationally working within a variety of music genres. As a visual artist, he uses popular culture as the basis of his artistic creations, working in two and three-dimensional collage/mixed media, street photography and art cars and has exhibited his work at exhibitions, galleries, festivals and museums throughout the United States. He is an award-winning documentary filmmaker for such films as 鈥淭he Amsterdam T-Shirt Project,鈥 鈥淭he Hines Farm Blues Club鈥 and 鈥淢otorhead Matters鈥.  Additionally, he has made documentaries on the history and culture of art cars such as 鈥淭aking It to the Streets: An Art Car Experience鈥 and 鈥淐ar Power: Another Art Car Experience,鈥 as well as music and concert videos related to his various musical projects over the years. His written work consists of the award winning 鈥淚鈥檒l Take You There: An Oral and Photographic History of the Hines Farm Blues Club鈥 and a collection of photography related to his art cars titled 鈥淭aking It to the Streets: An Art Car Experience.鈥 

He serves as a board member for the Friends of Jerome Library at Bowling Green State University. He also serves on the Editorial Advisory Board for the Metal Music Studies Journal and the Editorial Board for the Media and Popular Culture Journal.   

He has won a variety of awards and accolades related to his academic and creative work.

More information on his academic and creative background can be found on his personal website at www.md1210.com.

Sam Whiting, PhD

Lecturer in Creative Industries

University of South Australia

Creative Industries, Heritage, Music Industry, Popular Music

Sam is a popular music scholar, a Lecturer in Creative Industries at UniSA Creative, and a member of the leadership team for the . His work is primarily focused on the issues of capital labour and the value as they relate to the create industries and cultural economy.

Previous peer-reviewed publications of Dr Whiting's have explored issues of access, identity, heritage, cultural policy, and music scenes through the interdisciplinary lens of cultural studies, sociology, and popular music studies. Dr Whiting has research strengths in: live music ecosystems and their policy environments; the political economy of the music industries; cultural policy; basic income for artists; the effects of artificial intelligence on cultural labour; the sociology of music; and small venues.

His recent teaching focusses on cultural economics, the creative industries, and creative spaces and places. His previous research has included work with the SA Music Development Office, City of Adelaide, National Live Music Office, City of Melbourne, Monash University, RMIT University, and the University of Tasmania. My recent book, Small Venues: Precarity, Vibrancy and Live Music, is out now through Bloomsbury.

Qualifications

  • Doctor of Philosophy The Royal Melbourne Institute of Technology
  • Bachelor of Music Studies with Honours Griffith University
  • Bachelor of Music Studies Griffith University

Awards and Scholarships

  • IASPM-ANZ Publication Prize (2022), Rebecca Coyle Prize for research based in ANZ
  • Australian Postgraduate Award (2014), 3.5-year research stipend
  • Griffith Award for Academic Excellence (2010), QCGU
  • Griffith Award for Academic Excellence (2009), QCGU

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